Glass, translucent yellow, the lateral sides carved with a design of bamboo, the panels on the front and reverse flt and foot rim carved in oval form and with a flared neck. 6.4cm. 1780-1850

Seed pod, mounted with silver to form the base and mouth, the base inscribed Yang Henlong which is probably the name of the owner. 6.5cm. 1780-1850

Glass imitiaing realgar, the deep red out layer caved on one side with the cowherd on his ox below the line on the heavenly river with magpies flying above, and the weaver girl to the top right corner; the other side carved through with Liu Hai, enticing the three legged toad with his string of cash. 5.4cm. 1720-1840

Translucent blue with panels on the front and reverse, sides with mask and ring handles and a well carved foot and flared neck. 3.8cm. 1730-1800.

Glass, spinach green of rounded flattened form, with a flared neck and resting on a flat foot. 4.5cm. 1720-1770.

Glass, kingfisher blue, the sides with mask and ring handles, and with a raised oval foot rim; the glass suffused with crizzling. Attributed to the Palace Workshops, Beijing. 5.2cm. 1750-1850.

Porcelain, painted with underglaze blue with sea creatures rising from waves fighting with man with wheels, the neck with pendant ruyi and dots. 7.8cm. 1800-1880.

Glass, red with double overlay of black and white the layers carved through to show a carp, the sides with mask and ring handles. 6.5cm. 1800-1880.

Glass, opaque white with blue overlay fish emitting a vapour from which comes a pavilion. 7.8cm. 1780-1850.

Inside painted with bird on branch. 3.1cm. Modern

Glass imitating jasper. 6.3cm

Inside painted double gourd form. 3.4cm. Modern.

Moss agate with predominantly green markings, the sides well carved with mask and ring handles. 5.6cm. 1780-1850.

Amber ochre of oval form. 5.8cm. 1780-1850.

Amber ochre of rounded form. 4.3cm. 1780-1850.

Hornbill; the red sheath down each narrow side carved in low relief with dragons; the shoulders and neck carved with bats, well patinated. 6.0cm. 1820-1850.

Lacquer with ivory inserts showing buddhist symbols , the bottle with loops for suspension by a cord. 6.5cm. 1800-1880.

Nephrite, white, rounded and exceptionally well hollowed. 5.5cm. 1780-1850.

Moss agate, with green and ochre markings one side reminiscent of a dragon, the sides with mask and ring handles. 6.4cm. 1780-1850.

Glass, opaque white in the form of an egg. 4.4cm. 1780-1850.

Glass, turquoise base with coloured splashes and a clear layer. 4.8cm. 1740-1800

Glass opaque white with deep blue overlay carved with two vigorous chilong climbing up the sides with a bat and cloud in the centre, the mouth rim and foot rim also carved from the overlay. 7.3cm. 1780-1850.

Glass, light yellow of vase form with unusual carved sides. Light yellow colour favourite of the Yongzheng Emperor. 5.3cm. 1720-1750.

Agate, the darker inclusions carved as a leaf which protects grapes. 4.1cm. 1780-1850

Glass, fluted sides, in melon form, lemon yellow colour resting on a flat base. 18th Century.

Nephrite, mottled with archaic shield form with unusual mask handles. 1780-1850.

Crystal, carved with panels on the front, reverse and the lateral sides, then painted inside with a splendid Pekinese dog under a lush flowering peony, with a bamboo fence that links the scene to the reverse which depicts two smaller dogs and two doves above. Ye Zhongsan 1904.

Nephrite, white with an ochre tinge, of pebble form, well -hollowed out through a narrow mouth. 18th Century.

Porcelain, tall cylindrical form, painted in underglaze blue with a scaly five clawed dragon chasing a flaming pearl, the base with concentric cylindrical bands. 1800-1880.

Porcelain, painted in sepia tones with Huang Chenyan on his donkey and attendant carrying prunus blossom, the reverse painted in black, the base with a Daoguang mark. 1821-1850.

Porcelain, iron red with a fiery dragon against a chrysanthemum background. 1850-1880 Height:6.5 cm Stopper: glass imitating coral on glass imitating turquoise Provenance: The Fragrant Snow Collection

Nephrite, calcified light-grey with darker grey veins, the bottle of squared form with scalloped edges, resting on a quatrefoil base, carved in low relief with a branch of prunus with calligraphy above. The poem is translated as reading: ‘The Shadow of the fallen flower in the water looks elusive, The Spring wind will blow and bring the first blossom of Southern China.’ Possibly made in Imperial Palace, Beijing, 1750-1820 Height:5.5cm Stopper: coral on a glass imitating jade collar

Crystal, clear, the material with a smoky hue, well carved and resting on an oval footrim. 1780-1850 Height: 6.9cm Stopper: glass imitating coral on glass

Glass, mutton fat colour, with red overlay with a bat and a butterfly, the reverse with an inscription. RK says it is Suzhou School work. 5.3cm. 1750-1800.

Glass, translucent yellow with opaque yellow overlay carved with a curled dragon at the base emitting a vapour containing a pavilion with waves around the base, the reverse with a stork holding a tablet in its beak flying above a rock emerging from the waves with a bat flying above. 1780-1850.

Glass, black and ochre with gold sparkles, the neck showing the method of manufacture known as 'sandwich glass'. 18th Century.